I earned my Bachelor of Design thinking I’d spend my life designing thoughtful products—clean, intentional, and human-centered. And in many ways, I still do. Product design taught me how to visualize ideas clearly, communicate function through form, and tell a story through materials, scale, and detail.

What drew me to product design wasn’t just the physical object—it was the act of visualizing possibility. Whether sketching, prototyping, or rendering, I loved bringing abstract ideas into sharp, tactile focus. Over time, I realized that this way of thinking—this ability to translate concept into experience—applies just as powerfully to interiors and architecture.

The jump wasn’t a pivot; it was a natural extension.

In product visualization, I learned to think critically about how people interact with objects—how shape, proportion, and finish can influence mood, usability, and emotional connection. Those same principles guide how people experience space. The transition to spatial and architectural visualization felt seamless: it was the same attention to form and function, just scaled differently.

I began teaching myself architectural tools and interior design workflows, layering them onto a foundation built in product. My knowledge of prototyping and material behavior helped me design spatial concepts that felt grounded and real. My UX experience gave me an instinct for flow and human movement. And my visual storytelling background allowed me to craft environments with clarity and emotion.

Now, I see design not in silos—object, room, building—but as a continuous language of interaction and impact. Whether it’s a chair or a space, I approach each project with the same mindset: understand the user, shape their experience, and visualize it with care, purpose, and meaning.